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Tattoo History Source Book: England During the nineteenth century tattooing flourished in England as nowhere else in Europe. This was due in a large part to the tradition of tattooing in the British Navy, which began with the first voyage of Captain Cook in 1769. During the decades which followed many British seamen returned home bearing souvenirs of their travels in the form of exotic tattoos. Sailors learned the art, and by the middle of the 18th century most British ports had at least one professional tattoo artist in residence. Tattooing gained royal sanction in l862 when the Prince of Wales visited the Holy Land and had the Jerusalem Cross tattooed on his arm. In later life, as King Edward VII, he acquired a number of additional tattoos. When his sons, the Duke of Clarence and the Duke of York (later King George V) visited Japan in 1882, Edward VII instructed their tutor to take them to the studio of celebrated master Hori Chiyo, who tattooed dragons on their arms. On the way home the two Dukes visited Jerusalem and were tattooed by the same artist who had tattooed their father 20 years before. Following the example of the dukes, many wealthy Britons and naval officers acquired tattoos from Japanese masters. By 1890 tattooing had become so popular among British aristocrats that an American writer complained: "society men in England were the victims of circumstance when the Prince of Wales had his body tattooed. Like a flock of sheep driven by their master they had to follow suit." The first British professional known to us by name was D.W. Purdy, who established a shop in North London around 1870. The only existing record of Purdy's work is a booklet published toward the end of his career. It bears the practical title Tattooing: how to tattoo, what to use, etc. (1896-Medical tracts-London). Purdy apparently drew all his designs freehand without using stencils, for he admonished the beginner: Before you commence to tattoo any individual you must be able to sketch well, as it is a very difficult matter to sketch on a person's arm or on any other part of the body; you will have a good deal of rubbing out to do before you get the figure drawn correctly. Whatever part of the body you have to tattoo you must see that there are no large veins in the way, as they must be avoided ... Before you commence drawing out your figure you must see that hairs are all shaved off or you will have some difficulty in trying to sketch with these in the way; shave them off with a razor and nothing else. You cannot draw the lines of the figure too fine as your needles are fine and you must have a fine line to work on."
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